{"product_id":"nauticam-compact-macro-converter-2-cmc-2-2-8x-magnification","title":"Nauticam Compact Macro Converter 2 CMC-2 2.8x Magnification","description":"\u003ch2 class=\"h6\"\u003e2.8X MAGNIFICATION\u003c\/h2\u003e\n\u003ch3\u003eADDITIONAL FLEXIBILITY FOR COMPACT AND MIRRORLESS\u003c\/h3\u003e\n\u003cp\u003eThe Compact Macro Converter 2 (CMC-2) is a new in-water optic designed to stand alongside the previous CMC-1, offering a less powerful lens choice for \"larger\" macro subjects that is also noticeably easier to use.\u003c\/p\u003e\n\u003ch3 class=\"underline\"\u003e\u003cspan\u003eINTRODUCING CMC-2\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"rte\"\u003e\n\u003cp\u003eThe CMC-1 became the benchmark other lenses are measured against with extremely high magnification and overall sharpness.\u003c\/p\u003e\n\u003cp\u003eThe CMC-2 is a follow-up designed to give photographers using compact systems more magnification choices without sacrificing quality.\u003c\/p\u003e\n\u003cp\u003eNew underwater photographers, or new system owners, will appreciate an easier-to-use lens with more accurate autofocus performance than stronger lenses can offer.\u003c\/p\u003e\n\u003cp\u003eMore experienced users will find that CMC-2 is an ideal companion to CMC-1, allowing the perfect lens to be selected based on the subject size.\u003c\/p\u003e\n\u003ch3\u003eIMPROVED SHARPNESS\u003c\/h3\u003e\n\u003cp\u003eDuring pre-production testing we noticed a stunning increase in overall image sharpness when comparing shots taken with CMC-2 to those behind a flat port with no accessory lens whatsoever.\u003c\/p\u003e\n\u003cp\u003eIt became clear that with both compact cameras at full telephoto and mirrorless interchangeable lens systems the conversion lens markedly improved overall sharpness.\u003c\/p\u003e\n\u003cp\u003eThis is counterintuitive, as conventional wisdom implies that any conversion lens reduces image quality.\u003c\/p\u003e\n\u003cp\u003eIn this case, the flat port degrades overall sharpness, and the optical correction offered by the CMC-2 restores it.\u003c\/p\u003e\n\u003cp\u003eSimply put – an image taken underwater with CMC-2 is sharper than the same image taken with no accessory lens mounted. These are true water-contact corrective optics!\u003c\/p\u003e\n\u003ch3\u003eBREAKTHROUGH LENS DESIGN\u003c\/h3\u003e\n\u003cp\u003ePrior to the development of the Nauticam accessory macro conversion lenses, achieving \"super macro\" underwater meant using tools that were designed for in-air use.\u003c\/p\u003e\n\u003cp\u003eThese tools simply do not take into account the physics of shooting in water. Thanks to Edward Lai, Managing Director of Nauticam, the CMC-2 takes a radically different approach: hundreds of engineering hours utilizing computer software to model an accessory lens that complements an entire system – camera, lens, port, air, and water – as a whole.\u003c\/p\u003e\n\u003cp\u003eThis accounts for the critical air-water interfaces in a conversion lens design to achieve the best image quality possible.\u003c\/p\u003e\n\u003cp\u003eThe improvements are stunning, measurable and a new standard in underwater macro imaging.\u003c\/p\u003e\n\u003ch3\u003eUNCOMPROMISING OPTICAL QUALITY\u003c\/h3\u003e\n\u003cp\u003eThe CMC-2, like all Nauticam Macro Converters, is constructed from lenses precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. This means greater sharpness and contrast on every shot and extraordinary resolution rivaling a macro lens used in air. Broadband anti-reflective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. This means superior light transmission, accurate color and no distortion and vignetting in the most demanding situations.\u003c\/p\u003e\n\u003cp\u003eThese exceptional optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging.\u003c\/p\u003e\n\u003ch3\u003eSTUNNING MAGNIFICATION\u003c\/h3\u003e\n\u003cp\u003eThe CMC-2 is the less powerful of the two Nauticam Macro Converters designed for compact cameras, but magnification when compared to the capabilities of these cameras with no accessory lens is still very impressive.\u003c\/p\u003e\n\u003cp\u003eAs an example, the popular Sony RX100V can capture an image area 160mm (6.3 in.) wide at its full telephoto zoom position at its minimum focus distance.\u003c\/p\u003e\n\u003cp\u003eWith the addition of CMC-2, that image area is reduced to 55mm (2.2 in) wide. CMC-1 brings the minimum focus distance even closer, allowing a captured frame 36mm (1.4 in) wide.\u003c\/p\u003e\n\u003ch3\u003eOPTIMIZED FOR AUTOFOCUS\u003c\/h3\u003e\n\u003cp\u003eBy utilizing a specially developed algorithm in the lens design process, the CMC-2 renders superior image quality over the full focusing range of the camera lens.\u003c\/p\u003e\n\u003cp\u003eThis, combined with the high brightness and contrast of the image, allows the autofocus system of the camera to work well – often better than less powerful close focus lenses.\u003c\/p\u003e\n\u003cp\u003eJust as important are the out-of-focus (Bokeh) portions of the image that exhibit the same creamy smooth quality that photographers appreciate when shooting macro in air – all without color fringing common to traditional magnifying lenses.\u003c\/p\u003e\n\u003ch3\u003eAVOIDING DIFFRACTION\u003c\/h3\u003e\n\u003cp\u003eDue to the overall superior optical performance and precision focus of the CMC-2 it is possible to shoot larger apertures with excellent image quality.\u003c\/p\u003e\n\u003cp\u003eThis avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.\u003c\/p\u003e\n\u003ch3\u003eMOUNTING, AND USING THE CMC-2\u003c\/h3\u003e\n\u003cp\u003eThe CMC-2 ships with the common 67mm threaded lens mount. The lens has a protruding rear element, designed to place the accessory optic as close to the camera lens port as is possible, providing the best overall image quality when used with flip lens adapters. A flush mount adapter ring is used when attaching CMC-2 directly to an underwater housing, and is included with the lens. Flip and Bayonet Lens Mounts are available as accessories.\u003c\/p\u003e\n\u003ch3\u003eMOUNTING CONFIGURATIONS\u003c\/h3\u003e\n\u003cp\u003eThe same Nauticam bayonet system designed with the Wet Wide Lens (WWL-1) is also compatible with CMC-2. (P\/N 81302).\u003c\/p\u003e\n\u003cp\u003eThe bayonet mounting system is the attachment method of choice for shooting both macro and wide angle on the same dive.\u003c\/p\u003e\n\u003cp\u003eNothing beats the convenience of flip adaptors, allowing the accessory lenses to be flipped in place when needed, and conveniently swung out of the way for normal lens shooting.\u003c\/p\u003e\n\u003cp\u003eA flip adaptor is the best mounting system for macro only dives, or camera systems that don't support macro and wide angle lenses on the same dive (such as Canon G7X Mark II)\u003c\/p\u003e\n\u003cp\u003eThe new M67 Double Flip Holder for M67 Macro Ports, P\/N 25108 allows both CMC-1 and CMC-2 to be used on the same dive for multiple macro framing options.\u003c\/p\u003e\n\u003ch3\u003eA WORD ON MAGNIFICATION\u003c\/h3\u003e\n\u003cp\u003eThe industry standard macro lens magnification measure is a dioptric power, but we don't feel that is actually that useful.\u003c\/p\u003e\n\u003cp\u003eDioptric numbers can be misleading.\u003c\/p\u003e\n\u003cp\u003eThey are often multiple lenses stacked together, and the resulting stack doesn't always yield the power of its individual components.\u003c\/p\u003e\n\u003cp\u003eIn an attempt to make the power and utility of these lenses less confusing, we offer a simplified magnification factor. CMC-2 offers 2.8x magnification (as an average) with compact cameras currently supported by Nauticam housings.\u003c\/p\u003e\n\u003cp\u003eFor comparison, CMC-1 results in 4.5x average magnification.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_37784\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eRecommended Compact Cameras\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_49401\" class=\"sqs-block code-block sqs-block-code\" data-block-type=\"23\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"tftable\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003ch4\u003eNative Lens\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003ctd colspan=\"5\"\u003e\n\u003ch4\u003ewith CMC\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera\u003c\/td\u003e\n\u003ctd\u003eMin Focus Dist.\u003c\/td\u003e\n\u003ctd\u003eImage Width (W)\u003c\/td\u003e\n\u003ctd\u003eMin Focus Dist. (T)\u003c\/td\u003e\n\u003ctd\u003eImage Width (T)\u003c\/td\u003e\n\u003ctd\u003eMagnification\u003c\/td\u003e\n\u003ctd\u003eWorking Distance Increase\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony RX100M2\u003c\/td\u003e\n\u003ctd\u003e40 mm\u003c\/td\u003e\n\u003ctd\u003e75 mm\u003c\/td\u003e\n\u003ctd\u003e65 mm\u003c\/td\u003e\n\u003ctd\u003e27 mm\u003c\/td\u003e\n\u003ctd\u003e2.8 X\u003c\/td\u003e\n\u003ctd\u003e1.6 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony RX100M3\u003c\/td\u003e\n\u003ctd\u003e40 mm\u003c\/td\u003e\n\u003ctd\u003e80 mm\u003c\/td\u003e\n\u003ctd\u003e56 mm\u003c\/td\u003e\n\u003ctd\u003e35 mm\u003c\/td\u003e\n\u003ctd\u003e2.3 X\u003c\/td\u003e\n\u003ctd\u003e1.4 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon S120\u003c\/td\u003e\n\u003ctd\u003e16 mm\u003c\/td\u003e\n\u003ctd\u003e48 mm\u003c\/td\u003e\n\u003ctd\u003e52 mm\u003c\/td\u003e\n\u003ctd\u003e20 mm\u003c\/td\u003e\n\u003ctd\u003e2.5 X\u003c\/td\u003e\n\u003ctd\u003e3.3 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon G16\u003c\/td\u003e\n\u003ctd\u003e10 mm\u003c\/td\u003e\n\u003ctd\u003e30 mm\u003c\/td\u003e\n\u003ctd\u003e59 mm\u003c\/td\u003e\n\u003ctd\u003e19 mm\u003c\/td\u003e\n\u003ctd\u003e1.6 X\u003c\/td\u003e\n\u003ctd\u003e5.9 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon G7X\u003c\/td\u003e\n\u003ctd\u003e23 mm\u003c\/td\u003e\n\u003ctd\u003e68 mm\u003c\/td\u003e\n\u003ctd\u003e56 mm\u003c\/td\u003e\n\u003ctd\u003e23 mm\u003c\/td\u003e\n\u003ctd\u003e3.0 X\u003c\/td\u003e\n\u003ctd\u003e2.4 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePanasonic LX7\u003c\/td\u003e\n\u003ctd\u003e16 mm\u003c\/td\u003e\n\u003ctd\u003e52 mm\u003c\/td\u003e\n\u003ctd\u003e52 mm\u003c\/td\u003e\n\u003ctd\u003e27 mm\u003c\/td\u003e\n\u003ctd\u003e1.9 X\u003c\/td\u003e\n\u003ctd\u003e3.3 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePanasonic LX100\u003c\/td\u003e\n\u003ctd\u003e16 mm\u003c\/td\u003e\n\u003ctd\u003e74 mm\u003c\/td\u003e\n\u003ctd\u003e74 mm\u003c\/td\u003e\n\u003ctd\u003e32 mm\u003c\/td\u003e\n\u003ctd\u003e2.3 X\u003c\/td\u003e\n\u003ctd\u003e4.6 X\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_49513\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003eRecommended Interchangeable Lens Systems\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_51304\" class=\"sqs-block code-block sqs-block-code\" data-block-type=\"23\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1430120261335_2295\" class=\"sqs-block-content\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1430120261335_2294\" class=\"tftable\"\u003e\n\u003ctable id=\"yui_3_17_2_1_1430120261335_2293\"\u003e\n\u003ctbody id=\"yui_3_17_2_1_1430120261335_2292\"\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"3\"\u003e \u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003ch4\u003eNative\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e\n\u003ch4\u003ewith CMC\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003ch4\u003eMicro Four Thirds\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003ctd\u003eFormat Width\u003c\/td\u003e\n\u003ctd\u003eImage Width\u003c\/td\u003e\n\u003ctd\u003eWorking Distance\u003c\/td\u003e\n\u003ctd\u003eImage Width\u003c\/td\u003e\n\u003ctd\u003eReproduction Ratio\u003c\/td\u003e\n\u003ctd\u003eWorking Distance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOlympus\u003c\/td\u003e\n\u003ctd\u003eM.Zuiko Digital ED 12-50mm F3.5-6.3 EZ power zoom (43mm Macro Mode)\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e34 mm\u003c\/td\u003e\n\u003ctd\u003e73 mm\u003c\/td\u003e\n\u003ctd\u003e20 mm\u003c\/td\u003e\n\u003ctd\u003e0.9 : 1\u003c\/td\u003e\n\u003ctd\u003e14 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOlympus\u003c\/td\u003e\n\u003ctd\u003eM.Zuiko Digital ED 12-50mm F3.5-6.3 EZ power zoom (50mm)\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e83 mm\u003c\/td\u003e\n\u003ctd\u003e286 mm\u003c\/td\u003e\n\u003ctd\u003e21 mm\u003c\/td\u003e\n\u003ctd\u003e0.8 : 1\u003c\/td\u003e\n\u003ctd\u003e48 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOlympus\u003c\/td\u003e\n\u003ctd\u003eM.Zuiko Digital ED 14-42mm f\/3.5-5.6 EZ Lens\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e62 mm\u003c\/td\u003e\n\u003ctd\u003e197 mm\u003c\/td\u003e\n\u003ctd\u003e21 mm\u003c\/td\u003e\n\u003ctd\u003e0.8 : 1\u003c\/td\u003e\n\u003ctd\u003e41 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOlympus\u003c\/td\u003e\n\u003ctd\u003eM.Zuiko Digital ED 14-42mm f\/3.5-5.6 Ver. II R (42mm)\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e70 mm\u003c\/td\u003e\n\u003ctd\u003e211 mm\u003c\/td\u003e\n\u003ctd\u003e22 mm\u003c\/td\u003e\n\u003ctd\u003e0.8 : 1\u003c\/td\u003e\n\u003ctd\u003e41 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOlympus\u003c\/td\u003e\n\u003ctd\u003eM.Zuiko Digital ED 60mm f\/2.8 Macro Lens\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e98 mm\u003c\/td\u003e\n\u003ctd\u003e9 mm\u003c\/td\u003e\n\u003ctd\u003e2.0 : 1\u003c\/td\u003e\n\u003ctd\u003e22 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePanasonic\u003c\/td\u003e\n\u003ctd\u003eLeica DG Macro-Elmarit 45mm f\/2.8 ASPH. MEGA O.I.S. Lens\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e71 mm\u003c\/td\u003e\n\u003ctd\u003e11 mm\u003c\/td\u003e\n\u003ctd\u003e1.6 : 1\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePanasonic\u003c\/td\u003e\n\u003ctd\u003eLumix G Micro 4\/3 LEICA DG MACRO-ELMARIT 45mm \/ F2.8 ASPH. \/ MEGA O.I.S. Lens\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e71 mm\u003c\/td\u003e\n\u003ctd\u003e11 mm\u003c\/td\u003e\n\u003ctd\u003e1.6 : 1\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePanasonic\u003c\/td\u003e\n\u003ctd\u003eLumix G X Vario PZ 14-42mm f\/3.5-5.6 (42mm)\u003c\/td\u003e\n\u003ctd\u003e17 mm\u003c\/td\u003e\n\u003ctd\u003e98 mm\u003c\/td\u003e\n\u003ctd\u003e307 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm\u003c\/td\u003e\n\u003ctd\u003e0.7 : 1\u003c\/td\u003e\n\u003ctd\u003e49 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"8\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"8\"\u003e\n\u003ch4\u003eSony E Mount\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr id=\"yui_3_17_2_1_1430120261335_2291\"\u003e\n\u003ctd\u003eSony\u003c\/td\u003e\n\u003ctd\u003eE 18-55mm f\/3.5-5.6 OSS E-Mount Zoom Lens\u003c\/td\u003e\n\u003ctd\u003e24 mm\u003c\/td\u003e\n\u003ctd id=\"yui_3_17_2_1_1430120261335_2290\"\u003e75 mm\u003c\/td\u003e\n\u003ctd\u003e175 mm\u003c\/td\u003e\n\u003ctd\u003e27 mm\u003c\/td\u003e\n\u003ctd\u003e0.9 : 1\u003c\/td\u003e\n\u003ctd\u003e37 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony\u003c\/td\u003e\n\u003ctd\u003eE PZ 16-50mm f\/3.5-5.6 OSS E-mount Power Zoom Lens\u003c\/td\u003e\n\u003ctd\u003e24 mm\u003c\/td\u003e\n\u003ctd\u003e92 mm\u003c\/td\u003e\n\u003ctd\u003e256 mm\u003c\/td\u003e\n\u003ctd\u003e26 mm\u003c\/td\u003e\n\u003ctd\u003e0.9 : 1\u003c\/td\u003e\n\u003ctd\u003e46 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony\u003c\/td\u003e\n\u003ctd\u003eFE 28-70mm f\/3.5-5.6 OSS Full-frame E-mount Zoom Lens\u003c\/td\u003e\n\u003ctd\u003e36 mm\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;150 mm\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;350 mm\u003c\/td\u003e\n\u003ctd\u003e30 mm\u003c\/td\u003e\n\u003ctd\u003e1.2 : 1\u003c\/td\u003e\n\u003ctd\u003e54 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eZeiss\u003c\/td\u003e\n\u003ctd\u003eTouit 50mm Macro\u003c\/td\u003e\n\u003ctd\u003e24 mm\u003c\/td\u003e\n\u003ctd\u003e23 mm\u003c\/td\u003e\n\u003ctd\u003e54 mm\u003c\/td\u003e\n\u003ctd\u003e16 mm\u003c\/td\u003e\n\u003ctd\u003e1.5 : 1\u003c\/td\u003e\n\u003ctd\u003e10 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"8\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"8\"\u003e\n\u003ch4\u003eNikon F Mount\u003c\/h4\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon\u003c\/td\u003e\n\u003ctd\u003eMicro-Nikkor AF-S 60mm f\/2.8G ED\u003c\/td\u003e\n\u003ctd\u003e36 mm\u003c\/td\u003e\n\u003ctd\u003e36 mm\u003c\/td\u003e\n\u003ctd\u003e47 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm\u003c\/td\u003e\n\u003ctd\u003e1.5 : 1\u003c\/td\u003e\n\u003ctd\u003e10 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_51390\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRecommended Accessories\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1423005158772_53976\" class=\"sqs-block code-block sqs-block-code\" data-block-type=\"23\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ctable class=\"t1\" border=\"1\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol width=\"10%\"\u003e\n\u003ccol width=\"85%\"\u003e\n\u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003cp\u003e\u003cspan\u003ep\/n\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/th\u003e\n\u003cth\u003e\n\u003cp\u003e\u003cspan\u003eItem\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25101\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eFlip Lens Holder for M67 Macro Ports\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25103\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eFlip Lens Holder for M77 Macro Ports\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25104\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eFlip Lens Holder for Nauticam Flat Port 72\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25105\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eFlip Lens Holder for Nauticam 4\" Wide Angle Port\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25107\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eFlip Lens Holder for NA-LX100 Standard Port\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25511\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e67mm Lens Holder: For mounting a 67mm threaded accessory lens on a Nauticam strobe arm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e25513\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e67mm Double Lens Holder: For mounting two 67mm threaded accessory lenses on a Nauticam strobe arm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDetails and Specifications\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e•Depth Rating:  60m\u003cbr\u003e•Weight: .26 kg\u003cbr\u003e•Dimensions: Diameter 70mm x Length 34mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Nauticam","offers":[{"title":"Default Title","offer_id":57995940200835,"sku":"UWV-N81302","price":340.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0703\/4326\/2432\/files\/nauticam-nauticam-compact-macro-converter-2-cmc-2-28x-magnification-close-up-wet-lens-variant-sku-1499360.webp?v=1778245934","url":"https:\/\/www.lightbalance.co.uk\/products\/nauticam-compact-macro-converter-2-cmc-2-2-8x-magnification","provider":"LightBalance Underwater Imaging","version":"1.0","type":"link"}